Hi everyone it me 😊. John at Thesoundofonehandtyping has invited me to join him at Monday’s Music Moves Me which is sponsored by Marie, Cathy, Alana, and Stacy, so be sure and visit them, where you can also find the Linky for the other participants.
I am not sure if I have the theme right but John has done the days of the week so I have followed suit. I have thrown in a few songs that list every weekday and for measure I think most of them are danceable….. Plus I think some of the lyrics are fun . So thanks to John and the Ladies here I am 💜💜💜 I hope you enjoy and I have got the idea right.
Do you like the Bee Gees and if so, what is your favourite track?
You win again is my favourite is You Win Again from 1987 written by Barry, Robin and Maurice! Great year for music 1987 .
What was the first record (single or album) you
The first single I bought was by the Rolling Stones and called Come On released in 1963 it cost six shillings and eight pence and took me weeks to save up for! The first album I ever bought was The Rolling Stones”, released in 1964, it was unusual because there was no writing on the cover apart from the recording company’s name Decca.
Do you know what was top of the charts the day you were born?
“Look at That Girl” is a 1953 popular song, which was written by Bob Merrill. The song was recorded by Guy Mitchell and produced by Mitch Miller, giving Mitchell his second number one on the UK Singles Chart, where it spent six weeks at the top. Information from Wiki
Do you and your partner have a ‘special tune’?
Lots really but nothing really that stands out as Our Song! Probably because our tastes are so different.
Gratitude: Music has no hidden agenda, it can inspire, soothe and calm. I am grateful for my family, my life and my health. We saw all our sons, grandsons and daughter in law and it was lovely.
Happy New Year to everyone, be safe, healthy and happy in 2023.
Today the first day of 2023 Jim Adams, our host for Song Lyric Sunday has asked us to us the prompt : January 1, 2023 – Garage Rock.
I immediately thought of : UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from dance-pop, R&B, and jungle. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular “2-step” rhythms. Garage tracks also commonly feature ‘chopped up’ and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM.UK garage. Info from Wiki.
So I spoke to my eldest son this morning, I asked him for what he thought was a defining Garage track and he came up with 187 Lockdown UK Garage. This was his scene so even though I also remember plenty of tracks, some which still hold up today as good as they ever were. I figured why rack my brain when I have an expert on hand. I have search high and low for the lyrics and sorry it was a big fail.
187 Lockdown was a British speed garage act, comprising Danny Harrison and Julian Jonah. The duo produced one album, with four singles released from it, and remixed many songs towards the end of the 1990s.
The duo also recorded under a number of other aliases, such as Gant, Ground Control, Nu-Birth and M Factor. Of these, M Factor was the most commercially successful, notching up a UK top 20 hit with the vocal version of “Mother”.
Then there is American Garage which is from a completely different era.
Garage rock (sometimes called garage punk or ’60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. Information Wikipedia .
Pushin’ Too Hard“, originally titled “You’re Pushing Too Hard“, is a song by Americanrock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
The song became the signature tune for the group and a template for their musical style – so much so that Creem magazine later wrote, not disapprovingly, that “the Seeds, of course, managed to work ‘Pushin’ Too Hard’ into every song they ever did.” It was included on the influential Nuggets compilation in the 1970s, and earned a reputation as a protopunkgarage rock classic. The song is featured in the Rock and Roll Hall of Fame’s exhibit showcasing “The 500 Songs that Shaped Rock and Roll”. The Seeds performed “Pushin’ Too Hard” during a 1968 episode of the television sitcom The Mothers-in-Law. Saxon revisited the song on his 2008 solo album The King of Garage Rock. Read more here.
Which do I prefer….that for me to know and you to wonder!
Those of you who visit my blog regularly know that I am a true fan of Imogen Heap. I have put together a little collection of her more unusual music video. I hope you enjoy! Plus a video where she explains her Mi Mu gloves.
It’s Thursday and time for K.L. Caley’s #writephoto. The question this week from K.L. is: “Will this little prompt provide music to your ears?”
I am running so late this week I am too late for this prompt but as I have written it I shall submit it anyway.
For visually challenged writers, the image shows a green bandstand in a park. Nearby is a long building with windows overlooking the bandstand
It was raining quite heavily and it was late at night when Morgarna open her eyes. Really, she thought I had only closed my eyes for a second. To her relief she was warm and cosy for the first time in days, her black dress was draped over a pole in the middle of the hut, to the side of a roaring fire. Looking down she saw she was dressed in a warm dry robe of Lincoln green. Not a bad cut she mused and quite stylish. Just then the curtain across the door opened and there was familiar face carrying a bowl of food . “Marion” Morgarna was on her feet and smiling, “it’s so lovely to see you here and safe” Marion hugged her and gave her the food! “I am so pleased to see you again. You disappeared so quickly after saving Robin’s and my neck from that evil sherrif! “ Morgana smiled as she remembered the day that she had “dropped” in on their execution in the sheriff’s courtyard! It had certainly caused consternation as she had cut the ropes around their necks and whisked them away from under the sherrif’s nose. He and everyone else in the area had been caught in a time lock spell. “So” asked Marion, “why are you here my friend.” In-between mouthfuls of her much needed supper Morgana replied. “That’s the thing Marion, I am not here officially as I did not come here with any instructions, infact I didn’t even come by the anomaly, I just slipped through a portal! “ “I see” replied Marion, a smile on her face, her mind racing, there she goes again rambling, whatever portals and anomalies are? Just then Robin and Gamble Gold joined them. They spent the night eating and chatting….well they had lot to catch up on. The next day Morgana and Marion were out gathering wood to cook dinner, when they got separated, Morgana turned a corner and there it was the anomaly, damn she thought and I was so enjoying this break from work and Merlin! Sadly she had no choice so she jumped! As she fell she passed through a roof and landed on a wooden floor. A band stand , she thought, looking down she met the eyes and wagging tail of a happy but surprised Labrador! “Hello beautiful ” she said giving the Lab a cuddle. As she look up she noticed a stunned young man in the corner of the bandstand. “Where on earth did you come from ” he asked . “Only up the way ” Morgana smiled. Just then the lad was joined by his mates all carrying instruments. Morgana watched them set up their band . Then she was off and running towards the road and a smart looking BMV.
Your Friday prompt for Stream of Consciousness Saturday is “start with who/whom” Begin your post with either “who” or “whom” and go from there. Have fun!
Who do I think of when I think back to my pre-teen days when all my brothers and sisters where all alive and at home. Who was who back then, Teresa Mary, Mary Anne, Frances Jane, Anthony Conrad, John Patrick and me , there had been three more but I never knew them and of course there was Mum and Dad.
Music played a huge part in my young life, in all our lives but I was the youngest and the one who soaked up the magic.
Mum loved the big musicals of the time, Carousel , Paint your Wagons, South Pacific. Now Dad he loved the classics, Maria Calis was exactly who my Dad really liked .. I learned to a appreciate Mum and Dad’s music at a young age.
Teresa loved Pat Boone, Frances loved Elvis and Cliff, Mary…well I can’t remember who Mary really liked back then but in later years she was into big shows and jazz. My brother Tony was heavily in to Johnny Mathis for whom I have a great liking still. Then there was John Patrick who was absolutely besotted with Buddy Holly and Adam Faith both of whom I also like.
So how can I finish this post? Well I am going to say that there is one of the afore mentioned artists of whom I am very much enamoured and that is Adam Faith! My favourite song of his is …wait for it…WHO AM I and here it is .💜
This week our host Jim Adams has given us the prompt Chat/Laugh/Rant/Scream/Talk for Song Lyric Sunday.
I have chosen I only wanna laugh by Dusty Springfield. I am afraid I am not very keen on this song but it fitted the prompt and I do love Dusty.
A little bit of trivia I think I may of this is mentioned before. I want to the same school as Dusty in Northfields Ealing. I was a lot younger than her but my eldest sister Theresa was in the same class and new her.
Mary Isobel Catherine Bernadette O’BrienOBE (16 April 1939 – 2 March 1999), professionally known as Dusty Springfield, was an English pop singer and record producer whose career extended from the late 1950s to the 1990s. With her distinctive mezzo-soprano sound, she was an important singer of blue-eyed soul and at her peak was one of the most successful British female performers, with six top 20 singles on the US Billboard Hot 100 and sixteen on the UK Singles Chart from 1963 to 1989. She is a member of the Rock and Roll Hall of Fame and UK Music Hall of Fame. International polls have named Springfield among the best female rock artists of all time. Her image, supported by a peroxide blonde bouffant hairstyle, evening gowns, and heavy make-up, as well as her flamboyant performances, made her an icon of the Swinging Sixties.
“I Only Wanna Laugh”
Change the mood I’m in For a little while Let me see that grin Let me see you smile
No soulful tales that fret and frown No woeful wails that get me down No rights or wrongs Sing no sad songs for me
I only wanna laugh No time for crying I only wanna laugh No time for tears
I only wanna sing A song that’s happy That’s why I only wanna walk a street that’s sunny I only wanna see the side that’s funny
I’m saving all of my tears until tomorrow ‘Cause crying all my tears Just ain’t my style I’m acting like a clown But let me be ‘Cause even though I know The joke’s on me I only wanna laugh Only wanna laugh Only wanna laugh
I’m saving all of my tears until tomorrow ‘Cause crying all my tears Baby, just ain’t my style I’m acting like a clown But let me be ‘Cause even though the joke’s on me, oh Tell the girls goodbye ‘Cause I don’t wanna cry Hey I only wanna laugh Only wanna laugh Only wanna laugh.
The song I wanna laugh comes from the musical Jimmy. It is a musical with a score by Bill Jacob, lyrics by Patti Jacob, dance arrangements by John Berkman, and a book by Melville Shavelson and Morrie Ryskind. The musical describes the rise and fall of New York City Mayor Jimmy Walker, whose career was marred by corruption. It was a romanticised version of Walker’s tenure as mayor, as presented in the 1957 film Beau James, starring Bob Hope. The film came from a biography of Walker, also titled Beau James, written by Gene Fowler.
In 1979, a group of women sharing a passion for international music, dance, and women’s issues formed the global music ensemble Libana. Inspired by Judy Chicago’s groundbreaking exhibit “The Dinner Party,” Libana took their name from a woman honored by the artist—a 10th century Moorish poet, philosopher, and musician—symbolizing women’s creativity, vision and spirit throughout time.
LIBANA believes deeply in the power of song, the rhythm of the drum, and the spirit of dance to connect people across vast cultural difference. Creating a bridge of the heart, their commitment to the artistic expression of the global community has inspired dynamic cross-cultural understanding, profound healing, and widespread peacebuilding.
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