Song Lyric Sunday:What’s in Traffic?

Sunday is upon us again and it time Jim Adams to host Song Lyric Sunday. Today July 25 the prompt is – Automobile, Car, Jalopy, Vehicle suggested by Melanie B Cee of sparksfromacombustiblemind.

So I thought what shall I choose there are so many great tunes out there. I was taken back to 1979. We had escaped from Exmouth in Devon, we had not quite made it back home to London but we were back in the hub. Life with two out of what would end up as three boys was not so hard. I always had my music. Gary Newman , part of the new wave was right up my street. I didn’t drive in those days, I had to walk everywhere! This song was actually released on our eighth wedding anniversary!

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“Cars” is the debut solo single by English musician Gary Numan. It was released on 21 August 1979 and is from his debut studio album, The Pleasure Principle. The song reached the top of the charts in several countries, and today is considered a new wave staple.

The song was the first release credited solely to Gary Numan after he dropped the band name Tubeway Army, under which name he had released four singles and two LPs, including the number one UK hit “Are ‘Friends’ Electric?“, and its parent album, Replicas. Musically, the new song was somewhat lighter and more pop-oriented than its predecessors, Numan later conceding that he had chart success in mind: “This was the first time I had written a song with the intention of ‘maybe it could be a hit single’; I was writing this before ‘Are “Friends” Electric?’ happened.” He has since described “Cars” as “a pretty average song”.

In the UK charts, it reached number 1 in 1979, and in 1980 hit number 1 in Canada two weeks running on the RPM national singles chart  ^{(29 weeks in the top 100). It was his only single to}chart there. It rose to #4 on the US Cash Box Top 100 and #9 on the US Billboard Hot 100. Though Numan had a string of hits in the UK, “Cars” was his only song in the American Pop charts.

information from Wiki.

Here in my car
I feel safest of all
I can lock all my doors
It’s the only way to live in carsHere in my car
I can only receive
I can listen to you
It keeps me stable for days in carsHere in my car
Where the image breaks down
Will you visit me please
If I open my door in carsHere in my car
I know I’ve started to think
About leaving tonight
Although nothing seems right in carsSource: Musixmatch.

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Jalopy was a harder until in the back of my mind I remembered this Connie Frances song Hollywood. I was very young but I had older brothers and sisters and music was always playing in our house.

Concetta Rosa Maria Franconero (born December 12, 1937), known professionally as Connie Francis, is an American pop singer, former actress, and top-charting female vocalist of the late 1950s and early 1960s. Although her chart success waned in the second half of the 1960s, Francis remained a top concert draw. Information from Wikipedia

Whose jalopy is covered with junk
But don’t have any money for lunch?
It’s Hollywood, it’s HollywoodWho’s the local star
With the big, fine car?
It’s HollywoodWho wears the shady glasses after dark?
Who tries to talk the little girlie’s into parking?
It’s Hollywood, HollywoodWho’s the local yokel with
The horn rimmed bifocals?
It’s Hollywood
Go, go, goWho else would hold a cigarette like that?
Who else would wear a little Frenchy’s hat?
No one but Hollywood, HollywoodWho thinks he’s been around
But ain’t never been out of town?
It’s HollywoodI’ll give you just one little guess
At who old Hollywood’s trying to impress
You’re right, it’s Hollywood, HollywoodWho’s that farmer
Who think he’s a charmer?
It’s HollywoodYeah, it’s Hollywood all right
Here Hollywood, here’s a quarter
Go buy yourself some, ah, continental pants
Ascot, cigarette holder etc, etcSource: MusixmatchSongwriters: John D. Loudermilk.

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In the same year as the Gary Newman Track I heard Automobile by John Prime. It really could not of been any more different. The album Pink Cadillac blew my mind ..

John Edward Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death, and was known for an often humorous style of original music that has elements of protest and social commentary.

Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby, and then becoming a club performer.

A member of Chicago’s folk revival, Prine credited film critic Roger Ebert and singer-songwriter Kris Kristofferson with discovering him, resulting in the production of Prine’s eponymous debut album with Atlantic Records in 1971. The acclaim earned by this LP led Prine to focus on his musical career, and he recorded three more albums for Atlantic. He then signed with Asylum Records, where he recorded an additional three albums. In 1981, he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums.

Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect melancholy tales from his life. In 2020, he received the Grammy Lifetime Achievement Award. Information from Wikipedia

February morning my car won’t start today
I turned the key at 8: 03
And the battery passed away
Inside a’ my automobileI want my automobile
I want my automobile
I want to drive it
All around this worldBride’s gettin’ married in the springtime
Widow’s gettin’ married in the fall
I got married in high school
Or I wouldn’t of got married at allI’d be drivin’ my automobile
Be drivin’ my automobile
Be drivin’ my automobile
I wanna drive it all around this worldEverybody said to the new groom
Groom, what ya gonna be
I said, I’m gonna be a symphony
Just as soon as I find a keyTo my automobile
I want my automobile
I want my automobile
All around this worldLet’s take a rideColumbus sailed the ocean
Moses parted the sea
Dolores left me yesterday
Well, I think she took the keyTo my automobile
I want my automobile
I want my automobile
Wanna drive it all around this worldNow, I held a little bitty baby
I held a woman all night
Whenever I get the hiccups
I hold my breath ’til my head gets lightThen, I drive my automobile
Yeah, I drive my automobile
I drive my automobile
I’m want to drive it all around this worldFebruary morning, my car won’t start today
Yeah, I turned the key at 8: 03
And the battery passed away
Inside a’ my automobileI’m drivin’ my automobile
Wanna my automobile
Wanna drive it all around this world
Go onIt is a beautiful day for a ride
Hey, get your head down I can’t see anything
Someone give me a cigarette
I don’t want to take my hands off the wheelWe ought to take the air filter off this sucker
So we can see what it will really do
Uh oh, it looks to me like a hospital zone
Everybody get quiet, shhDon’t wake the dead up
We’re almost out, hang on, uh, oh here we go
Well, you can just hold it until we get to the next townSource: Musixmatch.

Finally as I go here is Tracy Chapman with Fast Car for no other reason than I love it soooo much.

Tracy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits “Fast Car” and “Give Me One Reason“, along with other singles “Talkin’ ’bout a Revolution“, “Baby Can I Hold You“, and “Crossroads“. She is a multi-platinum and four-time Grammy Award–winning artist.

Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her debut album, Tracy Chapman, which became a worldwide success. The album earned Chapman six Grammy Award nominations, including Album of the Year, three of which she won: Best New Artist, Best Female Pop Vocal Performance for her single “Fast Car”, and Best Contemporary Folk Album. Chapman released her second album, Crossroads, the following year, which garnered her an additional Grammy nomination.

Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album, New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single “Give Me One Reason”. Chapman’s most recent album is Our Bright Future, released in 2008.

According to Metro Weekly critic Chris Gerard, “Fast Car” tells a grittily realistic story of a working poor woman trying to escape the cycle of poverty, set to folk rock music.The song’s arrangement was described by Orlando Sentinel writer Thom Duffy as “subtle folk-rock”,while Billboard magazine’s Gary Trust deemed the record a “folk/pop” song.Dave Marsh said it was perhaps an “optimistic folk-rock narrative”, whose characters are in a homeless shelter. Information from Wikipedia

Happy Sunday EVERYONE.💜💜💜

The Friday Reminder and Prompt for #SoCS July 24, 2021

Badge by Shelley Krupa.

Linda,our host said : “Your Friday prompt for Stream of Consciousness Saturday is “color/colour.” Use it as a noun, a verb, or pick a color and write about it–use it any way you like. Have fun!”

Colour surrounds us, golden sunlight, silver moonlight, green fields and blue skies and seas. Nature is full of colour. Colour makes our lives we even describe our feelings in colour. When we see a rainbow we see it as magical.

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Colours of life..

Cinnamon yellow warm
Opal white cool and calm
Languishing purple of the soul
Orange burnished hot
Ultimately colours blend
Restoring beauty to our lives.

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Below are two videos. The first one is an old advert for a colour TV. If you look through the fact it is an advert and listen to the words and look at the pictures it is beautiful. The song used is Sound And Vision by David Bowie.

The video below is an old one from 2002 by Darius Campbell. Colour Blind.

Have a happy and colourful weekend everyone 💜💜💜

Song Lyric Sunday: It’s not your fault!

Well it is Sunday and time again Jim Adams Song Lyric Sunday. This week July 18, 2021 – Breakup songs suggested by Janis of themomshiediaries.

There are so many break up songs and they are all brilliant. I am going for the first that came to mind Run Time from my very favourite singer songwriter Imogen Heap.

The video shows Immi out running and she’s singing about how a relationship has reached its sell by date!

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“Run-Time”

Sparks might fly, in no time.
It’s a delayed reaction of the third kind. (ooh)
I’m so ready for this.
Shrink-wrapped tones, I can face the music.
Stop matters bonding us way beyond
Our best by-days.

You know we’ve had it good, we’ve had it bad, so no hard feelings.
We’ve done all we could and all again. I’m done pretending.
Let’s quit while we’re still friends.

Making up stories that grew to be too tall,
My fortress to forget couldn’t take anymore.
You nearly watched me ruin everything, everything!
There’s a number one rule of don’t-do’s.
Well we knew it all too well.
You were supposed to be looking out for me!
Have you any idea how difficult it’s been?

You know we’ve had it good, we’ve had it bad, so no hard feelings.
We’ve done all we could, and all again. Let’s save ourselves a sorry ending.
You know we’ve had it good, we’ve had it bad, but this is as far as we can stretch.
Let’s stop pretending, stop pretending.
And quit while we’re still friends
[x2]

Well I was so young, misguided maybe.
But still this hands over my every pen to paper.
And this all started with a song.
Let this be our last one.
Drop, drop. Bridge, bridge!

We’ve had it good, we’ve had it bad, but this is as far as we can stretch.
Stop pretending!
And quit while we’re still friends.

I wish you well.
I wish you well… (I wish you well, wish you well, wish you well)

Wish you well, I wish you well, I won’t tell if you won’t tell.
I won’t hold it against you if you bow out gracefully. (gracefully)
Can we just not drag this out, please?
I wish you well, I wish you well, I won’t tell if you won’t tell.
I won’t hold it against you if you bow out gracefully, (do it gracefully!)
Can we just not drag this out?

Lyrics from A to Z Lyrics

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Imogen Jennifer Heap  born 9 December 1977) is an English singer-songwriter, record producer, and audio engineer. Her work has been considered pioneering pop and electropop music.

Heap classically trained in piano, cello, and clarinet starting at a young age. She began writing songs at the age of 13 and, while attending boarding school, taught herself music production. After being discovered by manager Mickey Modern while attending the BRIT School, Heap signed to independent record label Almo Sounds at the age of 18 and later began working with experimental pop band Acacia. She released her debut album, an alternative rock record, I Megaphone, in 1998. In early 2002, Heap and English record producer Guy Sigsworth formed the electronic duo Frou Frou and released their only album to date, Details (2002).

Her second studio album, Speak for Yourself, was released in 2005 on her own label, Megaphonic Records, and was certified gold in the United States and Canada. The album spawned three singles: “Headlock“, “Goodnight and Go“, which became her highest-charting single as a lead artist on the UK Singles Chart at number 56, and “Hide and Seek“, which was certified gold in the United States and gained popularity after being used in the Fox teen drama television series The O.C.. Heap’s third studio album, Ellipse (2009), peaked in the top five of the Billboard 200 chart and received mostly positive reviews. This was followed by her fourth studio album, Sparks (2014). In 2017, she reunited with Sigsworth as part of Frou Frou.

Heap developed the Mi.Mu Gloves, a line of musical gloves, as well as a blockchain-based music-sharing program, Mycelia. She also composed the music for the West End/Broadway play Harry Potter and the Cursed Child. Over the course of her career, she has received two Grammy Awards, one Ivor Novello Award, and one Drama Desk Award. In July 2019, Heap was awarded an honorary doctorate from Berklee College of Music.

Information from Wiki.

 I hope you enjoyed it happy Sunday.

Song Lyric Sunday, Entomology.

It is Sunday and time for Jim Adam’s Song Lyric Sunday, the prompt for today July 11, 2021 – Bugs, Insects suggested by Amy Braun, ☆ai love music☆ aisasami. Thank you Ami.

The 1980’s were a weird time for me I had two boys and another on the way! To be honest , I was still not thirty and Adam Ant was was definitely something new ! My husband worked away alot, often dashing off at short notice. I did occasionally want to break free. Adam and the Ants was try escapism for me.

“Antmusic” is a song by English rock band Adam and the Ants, released as the third single in the UK in 1980 from the album Kings of the Wild Frontier (released 3 November 1980).

Antmusic” peaked at No. 2 in the UK in January 1981, being held off the top by the re-release of John Lennon‘s “Imagine” after his murder in New York City on 8 December 1980. In Australia, the single spent five weeks at No. 1 on the Kent Music Report and earned the band platinum certification for sales of over 100,000 copies. It also reached No. 2 in South Africa, No. 4 in Ireland, and No. 6 in New Zealand. In the North America, the song reached No. 14 on the US Rock Albums & Top Tracks chart, as well as number 19 on the National Disco Action Top 30 chart (alongside “Dog Eat Dog” and “Kings of the Wild Frontier“), but it did not find success in Canada.

The music video to “Antmusic” featured the group playing in a discothèque with a giant juke box, and persuading the young audience to turn away from disco music and dance to the new-styled ‘Antmusic’. The music video was directed by Steve Barron.

The song was featured in the 2015 film Ant-Man.

Well, I’m standing here looking at you
What do I see? I’m looking straight through
It’s so sad when you’re young
To be told you’re having funSo unplug the jukebox and do us all a favor
That music’s lost its taste so try another flavor
Antmusic, antmusic, antmusic, antmusicWell, I’m standing here, what do I see?
A big nothing threatening me
It’s so sad when you’re young
To be told you’re having funSo unplug the jukebox and do us all a favor
That music’s lost its taste so try another flavor
Antmusic, antmusic, antmusic, antmusicSo unplug the jukebox and do us all a favor
That music’s lost its taste so try another flavor
Antmusic, antmusic, antmusic, antmusicDon’t tread on an ant, he’s done nothing to you
There might come a day when he’s treading on you
Don’t tread on an ant, you’ll end up black and blue
You cut off his head, legs come looking for youSo unplug the jukebox and do us all a favor
That music’s lost its taste so try another flavor
Antmusic, antmusic, antmusic, antmusicSo unplug the jukebox and do us all a favor
That music’s lost its taste so try another flavor
Antmusic, antmusic, antmusic, antmusicAntmusic, antmusic, antmusic, antmusic
Antmusic, antmusic, antmusic, antmusic
Antmusic, antmusic, antmusic-

Source: Musixmatch

Song Lyric Sunday: America, America: 4th of July.

Good Sunday everyone it’s time again for Jim Adam’s Song Lyric Sunday. This week Jim has given us a subject so wide it’s almost an impossible choice. Here is the prompt.

July 4, 2021 – American music which is a melting pot of styles woven together, incorporating elements of Barbershop, Bluegrass, Blues, Christian, Contemporary, Country, Doo Wop, Folk, Gospel, Jazz, Motown, Patriotic, Ragtime, Rock, R&B, Spiritual, and Soul music, but what I am really looking for is music by an American group, so Aerosmith, Beach Boys, Chuck Berry, Creedence, Johnny Cash, Bob Dylan, Eagles, Journey, Prince, Simon & Garfunkel, Santana and many others would all work great.

Did I say this was an almost impossible task …. Okay I thought long and hard and the first thought I had would not be dismissed however hard I tried . The wonderful John Denver spoke to me more than anything or anyone on Jim’s list. Funny really because country is not really my type of music but my tastes are eclectic and I have a lot of time for John Denver as a singersongwriter, actor and person.

Henry John Deutschendorf Jr. (December 31, 1943 – October 12, 1997), known professionally as John Denver, was an American singer-songwriter, activist, and humanitarian whose greatest commercial success was as a solo singer. After traveling and living in numerous locations while growing up in his military family, Denver began his music career with folk music groups during the late 1960s. Starting in the 1970s, he was one of the most popular acoustic artists of the decade and one of its best-selling artists. By 1974, he was one of America’s best-selling performers; AllMusic has called Denver “among the most beloved entertainers of his era”.

Denver recorded and released approximately 300 songs, about 200 of which he composed. He had 33 albums and singles that were certified Gold and Platinum in the U.S by the RIAA, with estimated sales of more than 33 million units. He recorded and performed primarily with an acoustic guitar and sang about his joy in nature, disdain for city life, enthusiasm for music, and relationship trials. Denver’s music appeared on a variety of charts, including country music, the Billboard Hot 100, and adult contemporary, earning 12 gold and four platinum albums with his signature songs “Take Me Home, Country Roads“, “Poems, Prayers and Promises“, “Annie’s Song“, “Rocky Mountain High“, “Calypso“, “Thank God I’m a Country Boy“, and “Sunshine on My Shoulders“.

Denver appeared in several films and television specials during the 1970s and 1980s, including the 1977 hit Oh, God!, in which he starred alongside George Burns. He continued to record into the 1990s, also focusing on environmental issues as well as lending vocal support to space exploration and testifying in front of Congress to protest censorship in music. He lived in Aspen for much of his life, and he was known for his love of Colorado. In 1974, Denver was named poet laureate of the state. The Colorado state legislature also adopted “Rocky Mountain High” as one of its two state songs in 2007, and West Virginia did the same for “Take Me Home, Country Roads” in 2014.

An avid pilot, Denver died at age 53 in a single-fatality crash while piloting a recently purchased light plane. Information from Wikipedia.

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What a beautiful man , so talented. Not without faults but he was human. He to me is the embodiment of clean cut America at it best, to my mind anyway.

This is part of Jim Adams Song Lyric Sunday.

HAPPY SUNDAY EVERYONE

One-Liner Wednesday. Hanging on the telephone.

After ringing and quequing to make an appointment ( for a telephone consultation, it’s like getting hen’s teeth to get an actual appointment) the One-Liner ” please hold your call is important to us, we will be with you as soon as a receptionist is free” repeated every sixty seconds really does not ring true.

It took one hour and fifteen minutes on two phones to get through!

Part of LindaGHill’s One-Liner Wednesday.

Song Lyric Sunday: Time to eat.

It’s Sunday and I am late for Song Lyric Sunday! Jim Adams our host has a guest prompt from Paula Light of Light Motifs . Breakfast, Brunch, Dinner, Lunch, Snack, Supper.

Well what a great prompt, thank you Paula.

So I’ve chosen my favourite Breakfast song, Brunch song, Lunch song, dinner song and a supper song that could also be substituted for all meals mentioned plus afternoon tea! Plus a condiment for all occasions!

Breakfast in America by Supertramp. One of my favourite breakfast songs.

The inner sleeve of the 1979 Breakfast in America album lists one musician – Roger Hodgson or Rick Davies – as composer for each song. For the “Breakfast in America” title track, Davies alone is listed as composer and lyricist. However, the center label of the 12-inch vinyl disc credits all songs to both Hodgson and Davies.Similarly, on the vinyl single, it was credited to Hodgson and Davies.

Supertramp started performing the song during a reunion tour without Hodgson, Hodgson took credit for writing the song, telling reporters that Davies initially “hated” the song, and that he believed Davies did not play on the recording at all. However, in other interviews Hodgson has credited Davies with creating the vocalized retort line, “What’s she got? Not a lot.” Hodgson included the song in his 2010 world tour, produced as a live album titled Classics Live.

Written by Nigel Fletcher and Rob Woodward and first produced by them under the name of their other band, Stavely Makepeace.

Recorded in the front room of Woodward’s Coventry semi-detached house, it featured his mother Hilda Woodward on piano, in a boogie-woogie, honky-tonk, ragtime style. The only lyrics are the growled title “Mouldy Old Dough” and “Dirty Old Man” by Fletcher. When Fletcher asked what they meant, their author, Rob Woodward, said he had no idea.

Despite initial disapproval from their long-term manager and friend, David Whitehouse, they went ahead with its release. It is the only British number one single to feature a mother and son.^[3]

Originally released in early 1972, it flopped on its first release. It was picked up in Belgium and used on a current affairs programme, and became a hit there, reaching number one in the Belgian singles chart. Decca, encouraged by this success, re-released it and with the backing of then BBC Radio 1 DJ Noel Edmonds, it finally became a hit in the UK, spending four weeks at the top of the UK Singles Chart in October 1972. It sold 790,000 copies. In New Zealand, the song was number one for five weeks. The song also reached number one in Ireland and reached the Top 10 in Canada and Australia, but did not chart in the United States.

Brunch

“Mouldy Old Dough” (the title being an adaptation of the 1920s jazz phrase, “vo-de-o-do”) became the second biggest selling UK single of the year, behind The Band of the Royal Scots Dragoon Guards‘ bagpipe version of “Amazing Grace“.

The tune was also used by LOTTO New Zealand as a successful advertising routine.

As of April 2019, Hilda Woodward’s piano is an Exhibit at Coventry Music Museum, where other artefacts belonging to the band are also on display.

Hilda Woodward died, aged 85, on 22 February 1999. She was aged 58 at the time of “Mouldy Old Dough” topping the charts, which made her one of the oldest female artists to feature on a UK number one single.

Lunch

“Life Is a Minestrone” is a 1975 song by 10cc released as a lead single from their third album, The Original Soundtrack. The track was written after Lol Creme and Eric Stewart were driving home from Strawberry Studios and a BBC Radio presenter said something that they only partly heard, but which Creme interpreted as “life is a minestrone”. Stewart and Creme believed the phrase to be a good title for a song on the grounds that life is, according to Stewart in a BBC Radio Wales interview, “a mixture of everything we pile in there”. They had the song written in a day.

“Life Is A Minestrone”

I’m dancing on the White House lawn
Sipping tea by the Taj Mahal at dawn
Hanging round the gardens of Babylon
Minnie Mouse has got it all sewn up
She gets more fan mail than the Pope
She takes the mickey out of all my phobias
Like signing cheques to ward off double pneumonia

Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze

I’m leaning on the Tower of Pisa
Had an eyeful of the tower in France
I’m hanging round the gardens of Madison

And the seat of learning
And the flush of success
Relieves a constipated mind
I’m like a gourmet in a skid row diner
A fitting menu for a dilettante

Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze
Love is a fire of flaming brandy
Upon a crepe suzette
Let’s get this romance cooking, honey
But let us not forget

Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze

Dinner

“TV Dinners” is a song performed by American band ZZ Top from their 1983 album Eliminator. It was produced by band manager Bill Ham, and recorded and mixed by Terry Manning. The song is a simple, beat-driven tune with lyrics about pre-packaged, oven-ready meals. Released as a single, it reached #38 on the Billboard Top Rock Tracks chart. Robert Palmer recorded “TV Dinners” for his 2003 album Drive.

T V Dinners Z Z Top.

“TV Dinners”

TV dinners there’s nothin’ else to eat
TV dinners they really can’t be beat
I like ’em frozen but you understand
I throw ’em in and wave ’em and I’m a brand new man oh yeah!

TV dinners they’re goin’ to my head
TV dinners my skin is turnin’ red
Twenty year old turkey in a thirty year old tin
I can’t wait until tomorrow…. and thaw one out again oh yeah!

TV dinners I’m feelin’ kinda rough
TV dinners this one’s kinda tough
I like the enchiladas and the teriaki too
I even like the chicken if…. the sauce is not too blue.

And they’re mine, all mine, oh yeah
and they sure are fine.
Gotta have ’em
gimme somethin’ now.

Afternoon tea and all meals mentioned.

Toast : Streetband.

“Toast” is a song by Streetband, known for their lead singer Paul Young, released as a single from their debut album London in October 1978.

In a 1980 issue of Record Mirror, Young said that “on Sunday, people go out for a gig, but they don’t really act like they should be there. And ‘Toast’ was just something we did to turn their heads from the bar”. “We were in the studio getting a single together and, due to a complete cock up, we found ourselves with three hours free studio time.” Chaz Jankel “suggested that we record ‘Toast’ for the B-side.”

However, in 2011, Young said the lyrics “were made up on the night Chaz Jankel came to see us…and he was scheduled to produce us. Believe it or not, it all came about because we had a novice road crew and not one of them could change a guitar string. When the rhythm player bust a string, he went off to do it himself (at the John Bull pub in Chiswick) and the rest of the band started busking on ‘Lover‘, the jazz standard that I’d heard by Tony Bennett. So I wouldn’t be standing there like a plonker, I started scatting over the rhythm and arrived at the word ‘toast’ at the end of the chord sequence. It made sense, so I repeated that at the end of every chord sequence.” However, the lyrics are credited to Bernard Kelly, which Young explained, “we credited it to our manager as our publishing was frozen, and never saw a penny from it!” When performed live, sometimes the title was changed to ‘Tits’, with appropriately modified lyrics.

(yawn)
Morning all. I’d like to tell you about when I was a young boy. Musta been three or four months old at the time. I didn’t really know what I wanted, and if I did, I wouldn’t have been able to tell anybody, ’cause all I could do was gurgle. So I sat there in me high-chair, thinking one day, looking at me tray and thinking what I’d give for a meal on there. So I started looking round to see what I could have. I was rubbing me eggy soldier in me head, trying to think, and then I looked in the corner and there’s a little bread bin with its mouth open, just staring at me, like. And then I looked in and I saw bread.

I thought, oh yeah, I’ll have [toast],
A little piece of [toast].

Well, then I started getting older
I hated this, I hated that
Expensive state was ludicrous
And cafes couldn’t cater
For the finer things in life
The upper crust was not for me
I could tell that
So I’d go back home
Switch the kitchen light on
Put the grill on
Slip a slice under

And have [toast]
A little piece of [toast]

‘Cause there’s so much to choose from
There’s brown bread, white bread
All sorts of wholemeal bread
It comes in funny packages
With writing on the side
But it doesn’t matter which one you have
‘Cause when you cut the crusts off
Have it with marmalade
Or butter, cheese, tomatoes, beans, banana
Or chocolate if you’re strange
It doesn’t really matter

Oh no, it all goes with [toast]
Just [toast]

I’m gonna think about it some

boo-boo-boo-boo-boo-boo-boo
boo-boo-boo-boo-boo-boo-boo
boo-boo-boo-boo-boo-boo-boo
boo-boo-boo-boo-boo-boo-boo
boo-boo-boo-boo-boo-boo-boo

That’s [toast]
Mmm yeah
Just [toast]

That’s [toast]
Just [toast]

Well I go down the supermarket
With me basket in me hand
I’m walking from one counter to another
Trying to find the bread stall
But I can’t find it anywhere
And then I bump into a mother
With a baby in a basket
And she says

Oh look, you’ve started him off again
I come down here for a little bit of peace and quiet
To get some bread to go home to make [toast]

Just [toast]
I like [toast]

Yeah, but I don’t half like [toast]

OK, scrape that toast, boys

Good, that’s [toast]
Yeah, just [toast]

I can’t think about it any more. I’ve got to go and have some, it’s no good
Here listen, I’m getting a bit browned off standing here
Me too
Shall we go and have some toast?
Good idea
Why not?
OK
I’ve got the grill on
Got any brown bread?
Yeah
Have you got wholemeal bread? Wheatmeal bread? All sorts of toast
Let’s go

Something to accompany all meals.

“The Ketchup Song (Aserejé)” (Spanish pronunciation: [aseɾeˈxe]) is the debut single by Spanish pop group Las Ketchup, taken from their debut studio album Hijas del Tomate (2002). The song tells the story of a rastafari-like Romani (afrogitano) with a special charm. In addition to the original Spanish version, the song exists in forms with Spanglish and Portuguese verses, although the nonsensical chorus is identical in all three versions.

“The Ketchup Song” was released on 10 June 2002 and became an international hit the same year. It reached number one in at least 20 European countries and became the best-selling hit of 2002 in seven of them. It also topped the music charts of Australia, Canada, and New Zealand but stalled at number 54 in the United States. As of 2006, the song had sold over 7 million copies worldwide. The song’s dance routine was a popular novelty dance in the early 2000s.

The Ketchup Song (Aserejé) (Spanglish Version)”

Friday night it’s party time
Feeling ready looking fine
Viene diego rumbeando
With the magic in his eyes
Checking every girl in sight
Grooving like he does the mambo
He’s the man alli en la disco
Playing sexy feeling hotter
He’s the king bailando el ritmo ragatanga
And the dj that he knows well
On the spot always around twelve
Plays the mix that diego mezcla con la salsa
Y la baila and he dances y la canta

Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi
Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi
Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi

Many think it’s brujeria
How he comes and disappears
Every move will hypnotize you
Some will call it chuleria
Others say that it’s the real
Rastafari afrogitano

He’s the man alli en la disco
Playing sexy feeling hotter
He’s the king bailando el ritmo ragatanga
And the dj that he knows well
On the spot always around twelve
Plays the mix that diego mezcla con la salsa
Y la baila and he dances y la canta

Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi
Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi
Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi

Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi
Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi
Aserejé ja de jé de jebe tu de jebere seibiunouva
Majavi an de bugui an de buididipi

HAPPY SUNDAY EVERYONE 💜

Info from Wikipedia.

Lyric from A to Z Lyrics.

http://www.songlyrics.com.

Song Lyric Sunday. Monster feelings.

It Sunday and time for Song Lyric Sunday from Jim Adams. Today’s prompt is (Brutal, Cruel, Frenzy, Savage, Violent ) suggested by Melanie B Cee of sparksfromacombustiblemind..

All the songs chosen to day are chosen because they are the ones I thought of first and also because I like them all .

Olivia Isabel Rodrigo (born February 20, 2003) is an American actress, singer, and songwriter. She is known for her roles as Nini Salazar-Roberts on the Disney+ series High School Musical: The Musical: The Series and as Paige Olvera on the Disney Channel series Bizaardvark. Rodrigo signed with Interscope and Geffen Records in 2020 and released her debut single “Drivers License” in January 2021. It reached number one in multiple countries, including the United States.

Her critically acclaimed debut album, Sour, was released on May 21, 2021. It was preceded by two more singles, “Deja Vu” and “Good 4 U“, with the latter becoming her second single to debut at number one in the US.

“Brutal” is one of eleven songs from Olivia Rodrigo’s debut album Sour. The song resents the idea that one’s teenage years are their best years and shares a sentiment of teenage frustration.

Rodrigo and the track’s producer Dan Nigro wrote the song in two weeks as a last minute addition to the album after the unprecedented success of her debut single “drivers license“.

Kate Anna Rusby (born 4 December 1973)is an English folk singer-songwriter from Penistone, Barnsley, West Riding of Yorkshire, England. Sometimes called the “Barnsley Nightingale”, she has headlined various British national folk festivals, and is one of the best known contemporary English folk singers. In 2001 The Guardian described her as “a superstar of the British acoustic scene.”In 2007 the BBC website described her as “The first lady of young folkies”. She is one of the few folk singers to have been nominated for the Mercury Prize.

Underneath The Stars was Kate Rusby’s sixth album released in 2003. Cruel features on the album and is a traditional song from Lancashire. I’m not sure exactly when this performance is from but it’s somewhere between 2003 and 2008. Rusby sings many traditional songs, songs that are steeped in history, the album also features The Blind Harper, her favourite traditional song. Follow the link below to find out more about it:

Bahari is an American alt pop,electronic and dark pop musical duo, previously a trio, composed of Ruby Carr and Natalia Panzarella. Sidney Sartini left the band in 2018.

18-year-old Southern California singer, songwriter carolesdaughter, born Thea Taylor, translates turmoil and disorder into oddly soothing pieces of alternative pop. Throughout her life she often felt like an outsider where she would spend a large part of her turbulent youth hopping between schools before eventually deciding to drop out, this lead to her widening her musical palette and stumbling upon the world of punk, hardcore, and goth. During this time she went on multiple trips to rehab before discovering that music was what she wanted to pursue which allowed her to become the unapologetic heroine we know and love today.

Her latest track is titled violent and came about because of a toxic relationship she was apart of and this track was her cathartic release that allowed her pent up resent to finally be released. Somber 808s melt together with a raw acoustic guitar melodies as she delivers these vengeful and fury filled lyrics with her ethereal vocal, adding another spellbinding dynamic to the violently innocent piece. This is only the beginning of carolesdaughter who’s quirkily haunting and demonic sound stands out amongst the crowd in the best way imaginable.

Within the Ruins is an American progressive metalcore/deathcore band from Westfield, Massachusetts, United States. They are currently signed to eOne Music and Good Fight Music. The group has released six studio albums and three EPs.

All information above and more can be found on Wikipedia.

HAPPY SUNDAY EVERYONE ☺️

Last Night of the Empire. Imogen Heap.

My heroine Imogen Heap, and her last video. Last Night of the Empire.

How it was made.

Why because I can , and because I love it and her!

Song Lyric Sunday. Heaven/ Hell.

Today is Sunday and so it’s time for Jim Adams to give us the prompt for Song Lyric Sunday 9th May, 2021 – Heaven/Hell suggested by Amy, Aisasami.

I picked Seal singing This could be heaven , simply because I love it!

“This Could Be Heaven” is a song Seal recorded in the year 2000 for his fourth album Togetherland.

The album was scrapped after it was rejected by his record company as they believed the album would not be commercially successful. “This Could Be Heaven” is the only song from the album that was officially released as it was included on the soundtrack for the film The Family Man. The song was released as a single in support of the soundtrack in 2001.

There are two versions, with five different edits of the final version circulating. The first version is an early recording that runs for 3:30, with a more simple arrangement and different chords. More information at Wiki.

We should be right here
Get through all this fear
One of these days ‘Cuz when it comes around
We should be right here
One of these days This could be heaven
This could be heaven Living for the part
Giving from the heart
Now and forever But if we let it wait too long
What we have is gone
Memory only This could be heaven
Maybe we can start a life today
This could be heaven
Love instead of throwing it all away
This could be heaven Whoever thought we would get this far
Trying for all these years
The thought that we would fade away
Is more then I could bear I would do anything if you would stay
If you’d stay say
We should be right here
Get through all this fear
One of these days This could be heaven Turning it all for human kind
With you by my side, say This could be heaven Sure we can decide to run away
But we run away from all this here, when This could be heaven All
This could be heaven Hey heaven, baby
This could be heaven Heaven
(Heaven baby, heaven baby)
This could be heaven
(Hey yes, ah yeah, yeah)’Cus I know you’ll call, I know you’ll call
This could be heaven
Heaven this could be Nah na na, nah nah
This could be heaven, this could be heaven
This could be heaven, this could be heaven One of these days
One of these days Source: MusixmatchSongwriters: Seal Samuel / Dave Palmer / Guy Gershoni.

Then I picked Avril Lavigne because it’s a happy song and I love it.

“What the Hell” is a song by Canadian singer-songwriter Avril Lavigne from her fourth studio album, Goodbye Lullaby (2011). It was released on 10 January 2011 by RCA Records as the lead single from the album. The song was produced by Max Martin and Shellback, who co-wrote the song with Lavigne. According to Lavigne, she wrote the song as her “personal message for freedom”. More information here.

“What The Hell”

You say that I’m messin’ with your head
(Yeah, yeah, yeah, yeah)
All ’cause I was making out with your friend
(Yeah, yeah, yeah, yeah)
Love hurts, whether it’s right or wrong
(Yeah, yeah, yeah, yeah)
I can’t stop, ’cause I’m having too much fun
(Yeah, yeah, yeah, yeah)

You’re on your knees, beggin’ please “stay with me”
But honestly, I just need to be a little crazy

All my life I’ve been good but now
Ooohhh
I’m thinking “What the hell?”
All I want is to mess around, and I don’t really care about
If you love me, if you hate me
You can’t save me, baby, baby
All my life I’ve been good but now whoa “What the hell?”

What, what, what, what the hell?

So what if I go out on a million dates?
(Yeah, yeah, yeah, yeah)
You never call or listen to me anyway
(Yeah, yeah, yeah, yeah)
I’d rather rage than sit around and wait all day
(Yeah, yeah, yeah, yeah)
Don’t get me wrong, I just need some time to play
(Yeah)

You’re on your knees, beggin’ please “stay with me” (Va fan!)
But honestly, I just need to be a little crazy (Crazy!)

All my life I’ve been good but now
Ooohhh
I’m thinking “What the hell?”
All I want is to mess around, and I don’t really care about
If you love me, if you hate me
You can’t save me, baby, baby
All my life I’ve been good but now whoa “What the hell?”

La la la la la la la la whoa whoa
La la la la la la la la whoa whoa

(La la la la la la la la)
You say that I’m messing with your head
Boy, I like messing in your bed
(La la la la la la la la)
Yeah, I am messing with your head
When I’m messing with you in bed

All my life I’ve been good but now
Ooohhh
I’m thinking “What the hell?”
All I want is to mess around, and I don’t really care about
All my life I’ve been good but now
Ooohhh
I’m thinking “What the hell?”
All I want is to mess around, and I don’t really care about
If you love me, if you hate me
You can’t save me, baby, baby
All my life I’ve been good but now whoa “What the hell?”

La, la
La la la la la,
La
La la la la la, la.

HAPPY SUNDAY EVERYONE.