Hi everyone it’s Sunday again and this week our great and gracious host, Jim Adams has help from Di at Pensitivity102 for this week’s Song Lyric Sunday prompt which are: Sounds, Talk, Voice, Words
Well that’s a great prompt Di. Thank you. My choices range from the early eighties right through to twenty sixteen.
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Memories of different times!
“The Voice” is a song by Irish singer Eimear Quinn that was the winner of the Eurovision Song Contest 1996, representing Ireland. The music was composed, and the lyrics were written, by Brendan Graham, who had also written and composed “Rock ‘n’ Roll Kids“, the Irish winner from the 1994 contest. The victory, which was Ireland’s fourth in five years, was their seventh (and to date last) contest victory, which remains a record for the most contests won by a single country.
Celtic Woman is an all-female Irish musical ensemble conceived and created by David Kavanagh, Sharon Browne and David Downes, a former musical director of the Irish stage show Riverdance. In 2004, Downes recruited five Irish female musicians who had not previously performed together, vocalists Chloë Agnew, Órla Fallon, Lisa Kelly and Méav Ní Mhaolchatha, and fiddler Máiréad Nesbitt, as the first lineup of the group that he named “Celtic Woman”. Downes chose a repertoire that ranged from traditional Celtic tunes to modern songs.
They released the voice in 2007.
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This is a great song , Charlie Puth he’s such a Hugh talent.
“We Don’t Talk Anymore” is a song by American singer-songwriter Charlie Puth, featuring vocals from fellow American singer Selena Gomez. It was released on May 24, 2016,nas the third single from Puth’s debut studio album, Nine Track Mind. The artists wrote the song with Jacob Kasher Hindlin. Musically, it is a pop song with Puth’s tropical-inspired production. The song peaked at number nine on the US Billboard Hot 100, earning Puth his second top-10 single and Gomez’s sixth and Puth’s second highest-charting single as a lead artist to date, behind “Attention“. It has also attained the top 10 positions in more than 20 countries, and reached number one in Italy, Lebanon and Romania.
Puth created the guitar line during a trip in Japan. He produced the beat in the Philippines and recorded his vocals in Los Angeles. Months later Puth played the song for Selena Gomez, whom he had met previously at an after party following the MTV Video Music Awards. He thought that their voices would complement each other well and then asked her to sing the second verse. Gomez’s vocals were recorded in Puth’s closet. Her recording session lasted approximately 15 minutes. On December 10, 2015, Puth posted a snippet of the song announcing the collaboration with Gomez.nOn January 10, 2016, Puth posted a second teaser.
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I really love this song 💜
“More Than Words” is a song by American rock band Extreme, released as the fifth track and third single from their second album, Pornograffitti (1990), in March 1991. It is a ballad built around acoustic guitar work by Nuno Bettencourt and the vocals of Gary Cherone (with harmony vocals from Bettencourt). The song is a detour from the funk metal style that permeates the band’s records. As such, it has often been described as “a blessing and a curse” due to its overwhelming success and recognition worldwide, but the band ultimately embraced it and plays it at every show.
The song is a ballad in which the singer wants his lover to do more to prove her love other than saying the phrase “I love you.” Bettencourt described it as a warning that the phrase was becoming meaningless: “People use it so easily and so lightly that they think you can say that and fix everything, or you can say that and everything’s OK. Sometimes you have to do more and you have to show it—there’s other ways to say ‘I love you.'”
“That song gave us the freedom to make the record we really wanted to make when we started recording our third disc,” Cherone told KNAC. “It got us doing huge tours all over the states and around the world… As the nineties went on, however, we really started to resent the song. We were tagged ‘the More Than Words guys’. We didn’t like the perception the song created about the band. I remember being on tour with Aerosmith in Poland… it was on that tour we decided we would not play the song. We just didn’t do it. A couple nights into the tour, Steven Tyler writes in big letters on our dressing room door, ‘Play the fucking song!’ His attitude was almost father-like. He was like, ‘Look, this is your first time in Poland. When do you think you will be back? They want to hear it, so play it!'”
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I remember my first Sony Walkman with great affection!
Wired for Sound is a studio album by Cliff Richard, released in September 1981. The album peaked at number 4 in the UK album charts upon release, and spent a total of 25 weeks on the chart in 1981–82. The album was certified Platinum by the BPI, and achieved global sales of over one million.
The title track was released as the lead single of the album, and was followed up by a cover of Shep and the Limelites 1961 US doo-wop hit, “Daddy’s Home”. The singles peaked at numbers 4 and 2 respectively on the UK singles chart.”Daddy’s Home” was held off number 1 for four consecutive weeks by the Human League‘s “Don’t You Want Me”, but earned gold certification from the BPI for sales over half a million. The track was recorded live at the Hammersmith Odeon on 1 May 1981, for a rock ‘n’ roll special to be broadcast later by BBC Television.
“Broken Doll” is a cover of a Wreckless Eric single from 1980. Reportedly, Richard also wanted to record Eric’s “(I’d Go The) Whole Wide World” too, but only if he could change some of the lyrics – which Eric refused.[3] “Young Love” was given new lyrics and retitled “The Last Kiss” for a cover version by David Cassidy featuring George Michael. It was released as the lead single for Cassidy’s 1985 album Romance, becoming a top ten hit in the UK and Germany. “Once in a While” was originally recorded by Leo Sayer on his 1980 album Living in a Fantasy and released as a single in the UK and Australia.
The promotional video for the title track is one of Richard’s best-known, and was filmed around the centre of Milton Keynes, the new town in Buckinghamshire that was developed after the Second World War. It features Richard walking around and on rollerskates, while listening to music on a Walkman cassette player; such devices were then newly available in the UK.
A remastered version of the album was issued in July 2001, with the B-sides of both singles included as bonus tracks.
willowdot21 