Today Bee would like a love song from 13th February 1972.
I had been married a six months and this song came out. Great song great memories.
Baby I’m-a Want You is the fourth album by Bread, released in 1972. Its singles included the title cut (which reached No. 3 on the Billboard Top 100), “Everything I Own” (No. 5), “Mother Freedom” (No. 37), and “Diary” (No. 15). This was the first Bread album to feature keyboard player Larry Knechtel. Information from Wikipedia
Well it’s Sunday again time for Jim Adam’s Song Lyric Sunday. Now Jim got stroppy this week and our prompt words are : Can’t, Don’t, Shouldn’t, Won’t. Plus hairstyles!
Well my thought had to be Hall and Oats , the “mullet men” well it was all the fashion then and I loved them . …I even had a mullet hairdo, female style, in those days!
Speaking about the meaning of the lyrics, John Oates has stated that while many listeners may assume the lyrics are about a relationship, in reality, the song, “is about the music business. That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively.” This was done intentionally, he explained, to universalize the topic of the song into something everyone could relate to and ascribe personal meaning to in their own way. Naming “Maneater” as another example, he revealed that this was a common theme for the group’s songs.
Easy, ready, willing, overtime Where does it stop Where do you dare me To draw the line You’ve got the body Now you want my soul Don’t even think about it Say no go
I, I ‘ll do anything That you want me to do And I’ll do almost anything That you want me to, ooh
But I can’t go for that, no (no) no can do No, I can’t go for that, no (no) no can do I can’t go for that, no (no) no can do
I can’t go for that Can’t go for that Can’t go for that Can’t go for that
I can go for being twice as nice I can go for just repeating The same old lines Use the body Now you want my soul Ooh, forget about it Now say no go
I, I’ll do anything That you want me to do I’ll do almost anything That you want me to
But I can’t go for that, no (no) no can do I can’t go for that, no (no) no can do I can’t go for that, no (no) no can do
I can’t go for that Can’t go for that Can’t go for that Can’t go for that
Yeah, I, I’ll do anything That you want me to do And I’ll do almost anything That you want me to
But I can’t go for that, no (no) no can do I can’t go for that, no (no) no can do I can’t go for that, no (no) no can do
I can’t go for that Can’t go for that Can’t go for that I can’t go for that
No I can’t go for that, no (no) no can do I can’t go for that, no no, no can do I can’t go for that, (no no no no) no I can’t go for that
I can’t go for that (no can do) No can’t do I can’t go for that (no no no no can’t do) I can’t go for that I can’t go for that, yeah (no can do) No, no, no, no, no, no
“Don’t Look Back in Anger” is a song by English rock band Oasis. It was written by the band’s guitarist and main songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris. Released on 19 February 1996 as the fourth single from their second studio album, (What’s the Story) Morning Glory? (1995), it became Oasis’s second single to reach No. 1 on the UK Singles Chart, earning a quadruple-platinum sales certification in the UK. It was the first Oasis single with lead vocals by Noel, who had previously only sung lead on B-sides, instead of his brother Liam. Noel would later sing lead vocals on six more singles.
Noel Gallagher was so excited about the potential of the song when he first wrote it that he used an acoustic set to perform a work-in-progress version, without the second verse and with a few other slight lyrical differences, at an Oasis concert at the Sheffield Arena on 22 April 1995. He said before playing that he’d only written it the previous Tuesday (18 April 1995) and that he didn’t even have a title for it yet.
Noel Gallagher said of the song, “It reminds me of a cross between “All the Young Dudes” and something the Beatles might have done.” Of the character “Sally” referred to in the song, he commented, “I don’t actually know anybody called Sally. It’s just a word that fit, y’know, might as well throw a girl’s name in there.” He explained the song by saying, “It’s about not being upset about the things you might have said or done yesterday, which is quite appropriate at the moment. It’s about looking forward rather than looking back. I hate people who look back on the past or talk about what might have been.”
Slip inside the eye of your mind Don’t you know you might find A better place to play You said that you’d never been But all the things that you’ve seen Slowly fade away
So I start a revolution from my bed ‘Cause you said the brains I had went to my head Step outside, summertime’s in bloom Stand up beside the fireplace Take that look from off your face You ain’t ever gonna burn my heart out
And so Sally can wait She knows it’s too late As we’re walking on by Her soul slides away But don’t look back in anger I heard you say
Take me to the place where you go Where nobody knows If it’s night or day But please don’t put your life in the hands Of a rock and roll band Who’ll throw it all away
I’m gonna start a revolution from my bed ‘Cause you said the brains I had went to my head Step outside ’cause summertime’s in bloom Stand up beside the fireplace Take that look from off your face ‘Cause you ain’t ever gonna burn my heart out
And so Sally can wait She knows it’s too late As she’s walking on by My soul slides away But don’t look back in anger I heard you say
So Sally can wait She knows it’s too late As we’re walking on by Her soul slides away But don’t look back in anger I heard you say
So Sally can wait She knows it’s too late As she’s walking on by My soul slides away But don’t look back in anger Don’t look back in anger I heard you say At least not today
For Shouldn’t I chose Shouldn’t Couldn’t Wouldn’t. Song by 88rising, Niki, and Rich Brian. That’s a current one so current hair cut so you all know that one .
Nicole Zefanya (born 24 January 1999), known professionally as NIKI, is an Indonesian singer, songwriter and record producer. She is currently based in the United States and signed with the record label 88rising.
And Brian Imanuel Soewarno (born 3 September 1999 known professionally as Rich Brian, is an Indonesian rapper and singer. He is known for his viral debut single “Dat $tick“, which was first released in March 2016 on SoundCloud. The single was later certified gold by RIAA. His debut studio album, Amen, was released in 2018 and peaked at number 18 on the US Billboard 200. Brian’s second studio album, The Sailor, was released in 2019. He released an EP titled 1999 in 2020. He released another EP titled Brightside in January 2022. Brian has collaborated with many artists from China and South Korea such as CHUNGHA, Keith Ape, Jackson Wang and Jae Park.
Mm, mm, yeah Mm
By now I got your bad habits all memorised Like when I know you need me most You go and shut me out, figures, you Gemini And I’m not sayin’ that I’ve got
All of the answers, but Boy, I’ve been in love before It’s not always peachy, look, life ain’t that easy But one thing I know for sure is it
Shouldn’t be this hard You couldn’t DTR Oh, wouldn’t it be nice if we could stay friends? But we Shouldn’t, you know what I Couldn’t, ‘nough’s enough If I had your heart, it wouldn’t be this hard
You wonder why suddenly I’m comin’ off indifferent What you don’t seem to understand is It’s not anything you said, it’s everything you didn’t Ooh, oh
Yeah, you, you always answer with More questions to questions that scare you We’re not always peachy, look, love ain’t that easy But one thing I know, I know it for sure that it
Shouldn’t be this hard You couldn’t DTR Oh, wouldn’t it be nice if we could stay friends? But we Shouldn’t, you know what I Couldn’t, ‘nough’s enough If I had your heart, it wouldn’t be this hard
I drank too much tonight to not try to call you up I mean that’s what our phones are for I’m not one for titles, girl, in other words, terrified That p- kicked my rules out the door
I could take more shots or I could take you off your blouse My favorite parts of f- is either when I’m done or when you’re walkin’ out my house And you don’t pick up when I call unless I call you mine But one thing I know is it
Shouldn’t be this hard You couldn’t DTR Oh, wouldn’t it be nice if we could stay friends? But we Shouldn’t, you know what I Couldn’t, ‘nough’s enough If I had your heart, it wouldn’t be this hard Oh-oh-ooh, oh-oh-ooh Hard, mm
It’s not always peachy, look, love ain’t that easy But one thing I know for sure is We (shouldn’t)
“Won’t Get Fooled Again” is a song by the English rock band the Who, written by Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band’s 1971 album Who’s Next, released that August.
Townshend wrote the song as a closing number of the Lifehouse project, and the lyrics criticise revolution and power. To symbolise the spiritual connection he had found in music via the works of Meher Baba and Inayat Khan, he programmed a mixture of human traits into a synthesizer and used it as the main backing instrument throughout the song. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the synthesizer from Townshend’s original demo. Ultimately, Lifehouse as a project was abandoned in favour of Who’s Next, a straightforward album, where it also became the closing track. It has been performed as a staple of the band’s setlist since 1971, often as the set closer, and was the last song drummer Keith Moon played live with the band.
As well as being a hit, the song has achieved critical praise, appearing as one of Rolling Stone‘s The 500 Greatest Songs of All Time. It has been covered by several artists, such as Van Halen, who took their version to No. 1 on the BillboardAlbum Rock Tracks chart. It has been used for several TV shows and films (most notably CSI: Miami), and in some political campaigns.
We’ll be fighting in the streets With our children at our feet And the morals that they worship will be gone And the men who spurred us on Sit in judgement of all wrong They decide and the shotgun sings the song
I’ll tip my hat to the new constitution Take a bow for the new revolution Smile and grin at the change all around Pick up my guitar and play Just like yesterday Then I’ll get on my knees and pray We don’t get fooled again
The change, it had to come We knew it all along We were liberated from the fold, that’s all And the world looks just the same And history ain’t changed ‘Cause the banners, they are flown in the next war
I’ll tip my hat to the new constitution Take a bow for the new revolution Smile and grin at the change all around Pick up my guitar and play Just like yesterday Then I’ll get on my knees and pray We don’t get fooled again, no, no
I’ll move myself and my family aside If we happen to be left half alive I’ll get all my papers and smile at the sky Though I know that the hypnotized never lie
Do ya?
Yeah
There’s nothing in the streets Looks any different to me And the slogans are replaced, by-the-bye And the parting on the left Is now parting on the right And the beards have all grown longer overnight
I’ll tip my hat to the new constitution Take a bow for the new revolution Smile and grin at the change all around Pick up my guitar and play Just like yesterday Then I’ll get on my knees and pray We don’t get fooled again Don’t get fooled again, no, no
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